Of the theories swirling around The Shining, the one that seems the most plausible 40 years later is The Overlook as a metaphor for the horrors wrought by the American elite, which ties into the cloistered world of Kubrick’s Eyes Wide Shut and his career-long skepticism of the powerful. the_shining_-_part_1_|_print_-_quizizz.pdf: File Size: 45 kb: File Type: pdf: Download File. More often than not it is Wendy and Tommy whom the camera follows through these passages, and this gives us the sense of confinement and helplessness of their situation. Indeed, the hotel’s corridors, and their outdoor counterpart, the hedge maze, establish a labyrinthine iconography that reinforces the notion that the hotel suppresses some supernatural, violent force ;5 the Labyrinth of Greek mythology was essentially an elaborate enclosure, built to contain the Minotaur .6 In The Shining, the eerily innocuous interiors are analogous to Freud’s concept of the Ego, grounded in reality, which checks the more impulsive Id: By the same token it also gives the opportunity to reveal an element in behind the character of interest. (Why else would Danny be wearing an Apollo 11 sweater?!). The use of the hotel in this psychological thriller can be compared to other horror and thriller films where there are numerous examples. The other aspect is the colour of the chosen carpets. The use of asymmetry, relative to the use of symmetry, seemed to portray more regular scenes that didn’t build up as much tension throughout the film. Question: What changes would be necessary to translate this film into a play? Outside there is nothing like that, space is not defined, or limited; however, thanks to snow, leaving the hotel is impossible. The maze and back facade of the hotel were also built on the set, with the use of polystyrene chips, salt and smoke machines to recreate the cold snowy environment. Directors of other films tend to use an extreme close–up much less selectively. Question: Comment on the use of close up views of the characters in the film. excessively texture or angular, perhaps incorporating forced perspective) that, when lit a certain way, cast dark shadows. The unclearness of it will lead us to feel that something is going to be wrong afterwards especially when the scene changes and goes inside of the hotel. In other words, Kubrick creates fear out of an environment we’ve likely experienced, where there’s nothing overtly scary, but covertly, our imaginations due us in. Published on 09/05/2020. Later in the hotel hallways, the same piercing whines are accompanied by strong bass tones, layered with seemingly random and non-melodic strings of notes. 5/25/2016 4 Comments 4 Comments Matt Cates. Finally, sound, or more specifically the use of echoes, could also be a huge asset in portraying just how large some of the spaces are meant to be and creating that same feeling of isolation experienced in the movie. In places like the games room and storage room, a distant, high-pitched whine infiltrates the scene and begins to form as Danny’s shinings become stronger and more frequent. But there is a deleted scene from "The Shining" (1980) that casts Wendy's reliability in a curious light. The inauspicious influence of the id on the ego is clear in the hotel’s corridors. The manifestation of this warm and welcoming area of social interaction begin to clarify that what he is experiencing is himself living in the normal and has the confidence that his actions are justified. Exteriors of the Overlook hotel were shot at the Timberline Lodge on Mt. Question: What do you think is the “essence” of the subversion of the hotel into an architecture of fear? Note the variety of door types. Franz Kafka. The Shining is a gothic horror novel by Stephen King, first published in 1977. Instead, Minos, taken with the bull’s beauty, kept it, and consequently Poseidon caused Minos’ wife, Pasiphaë, to fall in love with the bull. 5/25/2016 08:23:21 am. Specifically this shot, you cannot exactly tell where and what Danny is sitting on. The music of the film works in much the same way, albeit with less consistency, in that it manifests itself primarily whenever a paranormal phenomenon is brewing. Given that the purpose of the film is to show life in Berlin, time sequence between shots are less of importance. This stark contrast in focus is a prime reason asymmetry would not be as successful in setting up as strong a feeling of fear as symmetry would. Published on 09/05/2020. Directed by Stanley Kubrick. By linking the two girls and Danny in the same type of shot, Danny’s visions of the girls begins to take a reality and become the warning signs that Danny will personify in the plot. This realistic approach was also followed in the lighting, and in every aspect of the decor it seemed to me that the perfect guide for this approach could be found in Kafka's writing style. Their complexity and scale is invokes the mythological Labyrinth and the violent Minotaur lurking inside of it; yet, they appear innocuous, creating a tension between good and evil analogous to that between Id and Ego. The stainless steel door is almost prison-like, but not quite, perhaps indicating the although the human mind is not meant to be a prison, it can very easily become one. This movie combines all the element of intellectual thriller, such as the ice-cold soundtrack and a sense of dehumanization. Posted by 2 days ago. The combination of an open door with a mirror within it creates a description of the space beyond, emphasizing the cameras movement through the reflection change in the mirror, together heightening the experience and intensity of the view. In order to fulfill this desire, he accepts a job as a caretaker for the Overlook Hotel (Godfrey, 2015). Discussion Why the Bear Man Scene in ‘The Shining’ is So Unnerving. For today's "12 Days of Downloads", NECA has released an official Visual Guide for their Toony Terrors 6" Figures. Share; Tweet; There are many reasons why Stanley Kubrick’s “The Shining” is considered one of the most influential horror movies of all time. The moment that a fully gone Jack Torrance leaps out in the lobby to murder poor Dick Hallorann, however, is still quite a big shock in the movie. This is most apparent when comparing the use of the Overlook to the hotel used in Dirty Dancing. An extreme close–up, where only the face fills the frame, is usually used by a director when a character’s deeper emotion is of concern, often almost as if the camera were trying to get into the character’s head. Between the black screens, however, there is no major leap of time. The neutralized green presents itself as an unfamiliar territory (by nature of just the colour) but also as a space to pause in comparison the red room beyond. The Shining ends by zooming in on one photo in a grid, then settling on Jack as one person in a large crowd. It is too obvious? Often times throughout the movie this shot results in a lengthened perspective like that gained by walking through the long pathway of the maze or down a single corridor of the hotel. In such cases, time seems to be extended and the duration of a scene can be related to the length of perspective and the length of procession. In The Shining sound effects are used to convey feelings of foreboding and terror, provoke a sense of the vastness and isolation of the films setting, and to signal the malevolent influence of the Overlook Hotel. The impression of the spaces, and the activity within them, is shifted through careful changes in viewpoint. Written, directed, and produced by Stanley Kubrick, The Shining was released by Warner Brothers in 1980 and based on Stephen King's novel of the same name. The next shot, of room 237 has a pattern with an implied direction, inviting you further into this room. Are the sound effects singular in their creation of fear? During Shining Rock Classical Academy’s December meeting, board members decided to begin offering high school grades starting in August 2021. In both these films it is apparent that the building is essentially another central character in the film and not just a simple backdrop or setting. While the film takes on an ominous tone from the start, the corridors are depicted as mundane, innocuous spaces, establishing a datum of reality that contradicts the hotel’s supernatural phenomena. Fall 2009. Tomorrow, our Movie Of The Week Forum discussion of The Shining will delve deeper into the book-vs.-film divide, in addition to the theories and legacy that have grown around the film. The beautiful girl met by Jack Torrance in the 237's bathroom, or the  word MURDER wrote by Danny. Kubrick’s symmetry could also play with the duality of the characters. Question: Kubrick shoots many scenes through open or slightly open doors. You cannot feel protected in a space if the spirit of death can almost magically make the word “MURDER” appear in the bedroom mirror. http://www.bbc.co.uk/blogs/markkermode This Halloween, The Shining is back in cinemas. Backlighting is also used to create the hazy and eerie mood that prevails in the hotel as Wendy fearfully tiptoes her way through the hotel. An open door is used as the focus of a scene and it begs the viewer to explore every inch of its openness in order to understand what will come next. His stories are fantastical and allegorical, but his writing is simple and straightforward, almost journalistic.2 The viewers are more aware of the stress put on by the time spent in the hotel. Are Kubrick's close ups different from those of other directors (either that we have seen this term or other films that you might like to cite). It is like a ghost. https://discussimdb.com/topic/10073/the-shining-ending-explained-spoilers Agree. Danny’s first big-wheel ride around the hotel uses modulations in sound to give presence to the changing floor coverings that he encounters, not simply to indicate what is carpet and what is not, but rather to reinforce the vastness of Danny’s new home, and how alone he is in it – it is a place of wonder and also of danger. Others are mostly cockamamie, like the theory that Kubrick had made the film as an apologia for his role in faking the moon landing. This unnatural sound soon transitions into a piercing whine, giving the audience the sense that something is very out of place. ... View Entire Discussion (9 Comments) More posts from the movies community. The Shining's title refers to "shine," or psychic abilities. This effect conveys to the audience the manic state and bipolar nature of this state. The first, and purely spacial change it can make comes from the psychology behind the use of symmetry to induce greater fear on the viewer. As the light glows through the windows and creates various gradations of silhouettes, it hints at the invisible presence that is the cause of the character and audience’s fear. It gives a warning that Danny is going to see something scary and terrifying. The Shining set itself apart from so many of the popular horror movies that would emerge throughout the 1980s simply by not being about the kills. As the tourists leave and the hotel empties, the rooms abandon these familiar tones and take on an eerie calm. Red symbolising the manic intensity and the security of his own ambitions combine with nature of white, as the shining, and the affirmative of intent. The Shining mainly takes place in the fictional Overlook Hotel, an isolated, haunted resort hotel located in the Colorado Rockies. icon-close Again, the insignificance of the child (and by extension, the audience) heightens the fear of the greater unknown powers at work in the hotel. icon-close Then on Thursday, we’ll take a look at the King-approved 1997 TV miniseries, and what its literalist approach says about book-to-film adaptations in general. However, both scenes still have an inherent quality in them that create a heighten sense of anxiety. These shots are taken in closer range to the actor/actress in order to keep them in the frame as both actor/actress and cameraman move in tandem. Question: Referring to the above question (25), comment on the changes that might be necessary if this film were to be shot in black and white in order to achieve a similar feeling. This door is a sturdy, double-width dark wooden door, indicating a significant barrier. Official Stephen King Subreddit Discussion - The Shining [SPOILERS] spoiler. Today, The Shining occupies a legendary place in film history and is widely acknowledged as one of the greatest horror films of all time. The carpet seems to encompass the entire floor, even wrapping around the steps creating this continuous flow, which makes it seem like it could creep up the wall as well and contain the entire room. Poll. Is the novel ever funny? Unlike the Shining, the music in Lisbon Story is brought into the front of audiences and performed in the movie. For many people, the ghosts are the scariest part of the movie. eNotes critical analyses help you gain a deeper understanding of The Shining so you can excel on your essay or test. The time-indicating black screen that used to appear once every month, then appears multiple times a day. Many of these fairly innocuous/banal from an architectural perspective. This does subliminally hints at a number of aspects in the horror film. It seems that the implication may be that the benefit of a fortified space is next to useless if the ever-present exterior threat of death can insinuate itself even there. Its music score is perfect in adding to the overwhelming feeling of the frightening and impending doom. Drawing the viewer even further in, Kubrick is able to play tricks on the mind, and SCARES! 6 According to Greek mythology, King Minos asked Poseidon for a white bull as a sign of approval; Poseidon obliged, under the condition that it be sacrificed in his honour. ight years ago, the Rodney Ascher documentary Room 237 reignited discussion over Stanley Kubrick’s The Shining by surveying a range of different fan theories on what the film is about, and the evidence that exists to support those theories. The discussion of the loneliness of the space during the off-season permeates the beginning of the film and establishes an anticipatory progression towards the major shift in occupation. At this point we are totally submerged in the scene as all the actions and footsteps of the cameraman are translated into visual implications. Question: Comment on the means to describe the passage of time in this movie as compared to the Berlin and Man with a Movie camera. As in the movie, one could parallel Jack’s descent into madness with sets that develop an increased feeling of isolation and fear over the course of the storyline. It is vague and gives the impression that like we don’t know what is happening. Hard shadow lines could be used to lead your eye to an unfamiliar space or mysterious corner of a room. The geometry of the carpets in the hotel is definitely a method of altering the general feeling of the spaces. Instead of exterior shots showing the snow gradually piling up outside, a play could make use of dialog to describe the deteriorating conditions. In touring the place, Jack is told that the Overlook was “one of the stopping places for the jet set,” where all sorts of important people had stayed, including four presidents, and surely made consequential decisions as they were perched on high. A focus of the viewer’s attention on one point for an extended period of time builds up suspense (as opposed to allowing the viewer’s eye to wander around the shot). The new perception is not only on the audience’s relation to the space, but also in the interaction between the characters of the film and their surrounding architecture. Most evident technique shown in ‘Shining’ is the black screen with time indication in between shots. Eclipsed perhaps only by its 1980 film adaptation, the novel is one of the most popular and enduring horror stories of all time. The hostility has faded as the film has gotten more widely recognized as a horror staple; the author Stephen King still famously dislikes what Kubrick did with his book, but the recent adaptation of King’s sequel, Doctor Sleep, leans heavily into the film’s iconography. Source: http://en.wikipedia.org/wiki/The_human_brain. The fact that Jack is, in fact, insane is clarified in the later scene where Jack has a conversation with the imaginary Mr Grady, who is supposedly outside the dry cellar, and the camera does not jump back and forth from either side of the door. Question: Describe the use of the colour “red” in the film. Learn more about The Shining in this article. It can be concluded that asymmetry does not work as well in creating a fearful portrayal of spaces in the film as symmetry does, however there is an exception when a secondary space is introduced and there is a threshold (such as a door or wall) that allows a window into another scene. This comes from the emphasis of one subject in the particular shot. This space becomes the viewers focus as the camera is brought closer to the door, and curiosity drives the viewer to search the space beyond as new angles are revealed to them. What does "shining" mean to you? The Shining mainly takes place in the fictional Overlook Hotel, an isolated, haunted resort hotel located in the Colorado Rockies. The camera leaves the exterior vague and focuses on the spaces and details from the interior. Discussion of themes and motifs in Stephen King's The Shining. The imagined horrors are far scarier than anything that could be depicted. Alternately, a foggy setting with little light could also produce a feeling of danger of the unknown, while not as being as obvious as the use of the colour red. Though atypical for the genre, Kubrick ensures that The Shining is frighteningly real; in an interview with Michel Clement, acknowledged the powerful scale of the hotel, realizing the “labyrinthine layout and huge rooms […] would alone provide an eerie enough atmosphere.” 1 This realism can be attributed to Kubrick’s admiration of Franz Kafka: We’re no closer to figuring it out now than we were 40 years ago, but like The Overlook itself, there’s some indefinable allure that keeps beckoning us back for a visit. Question: Comment on the use of the low or high angles of view with respect to the creation of fear in the manipulation of the viewer's perception of space. Question: Thinking of the above question (15), how then does the “closed” or “locked” door impact the reading of the space? Question: Comment on the use of backlighting (silhouette) in many shots throughout the film. What is the lasting power of Stanley Kubrick’s terrifying film? It is the heterogeneous mixture of two methods working together that is able to truly instil a sense of fear in the viewer. The snow and fog transfer the feeling of cold an unsafe condition outside but at the same time although it is vague but it’s somehow feels safer. The series of spaces which are created by Kubrick in these ways create a buffer of experience which encapsulates and insulates the viewer against their previous feeling of safety. One of the key themes in the Shining is America, as Kubrick purposely films icons of American life throughout the movie, and early in the film it is said that the hotel was built on old red indian burial grounds. Will it stand the test of time? eNotes critical analyses help you gain a deeper understanding of The Shining so you can excel on your essay or test. It has been frequented with stories of hauntings and it is said that King came up with idea of The Shining after having been stayed there with his wife when it was almost empty and about to close for a long period of time. The instability of the camera itself translates into the scene to convey a feeling of vertigo as we look down at Jack stalking Wendy up the stairs with his creepy face. The suspense is intensified yet again by the speed of the action; Danny on his tricycle in contrast to Jack’s pacing through the corridor. This method, however, heavily relies on the dichotomy it creates when seen opposite to the steadi-cam shots used to build up tension and anticipation. This increases the sense of suspense in the rising action, and releases the previously built-up tension after the anticipated moment of crisis. Dark shadows, dark corners and the silhouette put the viewer in unfamiliar territory, striking nerves of anxiety. In this instance, black and white filming could be considered an effective yet elegant solution. be around 400 words. Compare the choice of music in this film to the use of music in any of the other films we have viewed this term. As is also apparent in The Poltergeist series, the film further cements the character of the hotel by using ghosts and other paranormal occurrences to communicate with the central characters of the film. This exception works well because another dimension is added; the space beyond the threshold of the door. In the shining the scenes, the choices of space and quality of camera view and, all, direct the viewer into the sense of fear and horror. As the length of leap between scenes decreases, the width of shot also decreases from wide view, to closer shots. In my opinion the importance of door can also be seen during the visiting tour made by Danny, his mom and Halloran. This is apparent when Danny sees the twins and the woman in 237 as well as when Jack sees the party scene in the ballroom and talks to the old groundkeeper in the red room. Each reading has discussion prompts meant to encourage thoughtful and entertaining group interaction. http://en.wikipedia.org/wiki/Id,_ego,_and_super-ego. Question: Comment on the use of the tracking shot as Kubrick follows Wendy through the space. It allows the scene to shift focus from said environment to the individual and subsequently changes the scale  of time from an epic (removed) angle to a personal aspect, which penetrates the emotional state of the individual. We become the characters; and as a direct result an additional element of fear is present due to the uncertainty of what lies in the areas NOT within our view. When the scene shifts to a symmetrical viewpoint, the whole scene seems to shrink and starts to focus on a single reference point in the view. to deliver your answer in class -- but paraphrase, do not read it. Some of the ideas are legitimately compelling, like one that posits the film as an excoriation of American imperialism, jumping off from the fact that its haunted hotel, The Overlook, was built on a Native American burial ground, and continuing with other references and bric-a-brac to back it up (Can those. An alternate method could be to use highly stylized sets (i.e. As so much as the film depends on these ambiguous “non-spaces”, the Torrance family — and Kubrick’s viewers — find themselves in a sort of purgatory, waiting for the resolution of good and evil. This technique of dual proportion actively involves the viewer, keeping them focused. Like a warning, these sounds are soon followed by scenes of gore and apparitions of murdered children and long deceased guests. Dick Hallorann, the head cook at the Overlook Hotel, uses this term to describe intuition. Dive deep into Stephen King's The Shining with extended analysis, commentary, and discussion We’ve discounted annual subscriptions by 50% for our End-of-Year sale—Join Now! The Shining revolves around the life of Jack Torrance, a recovering alcoholic seeking to find solace to focus on his writing. http://en.wikipedia.org/wiki/Minotaur, 7 Wikipedia, Id, Ego, and Super-Ego. The use of sharp contrasts between light and dark could indicate an alarming or intense situation. Since its release more than 30 years ago, movie lovers have been obsessed with The Shining. The Shining is a horror cinema masterpiece, and figuring out its haunting and iconic ending was no easy task for Stanley Kubrick. Wendy and Danny’s ignorance of Jack’s surveillance (as usual in overhead shots) creates further fear for their well-being. However, in this case, especially in room 237, the colours are very distinctive and stand out. It is Jack’s last chance at a job to get his writing and teaching career back on track. Longer answers are more than welcome. Frightening because of the use of long shots to create feelings of isolation as well as carefully scored music, which bring the tension of thrill to virtually unbearable levels. Stephen King's The Shining Chapter Summary. Seeing this, you feel that Jack's story is just one of many. Such a shot is particularly successful in a horror film because it can instil increased anticipation. The Torrance family, too, seems discomforted; they feel trapped by the hotel’s unforgiving isolation and incongruous vastness, and burdened with its dark history. Anything can happen. Later in the film, there are crowds of people walking on streets, and what used to be an empty train stations then feature a crowd getting on and off. at BFI Southbank on 7 November. The sequence of spaces and open doors draws them into a feeling of uneasy enclosure. The immensity of the sets, used to evoke feelings of individual insignificance, emptiness and isolation, would be almost impossible to duplicate on stage when you consider the spatial limitations and mobility requirements associated with live theatre. For others steeped in horror movie criticism, it might be the strange Overlook Hotel itself. There is an somewhat uneasy and unnatural feeling to a symmetrucal shot that adds greatly to the sense of suspense. Shine is the ability to read minds, communicate telepathically, or see past and future events. Will it stand the test of time? Interestingly enough, the only main character in the film not to be the subject of an extreme close–up, despite significant emotional trauma, is Wendy. She is an authority in fields such as Originium Arts, field medicine, medical theories, and clinical medicine. Alternatively, there are scenes in which the leading camera viewing the actor/actress rapidly takes corners. This diagram of the regions of the human brain illustrates a physical similarity between the labyrinthine, distinctly-divided corridors and the brain itself. We can find an opposition between two different labyrinths, one inside and other outside. One of the music is originally associated with the horrors of the Holocaust. Danny is also able to see Halloran later through television with the powers of shining. Director also uses music to reveal the appearance of the city. 6 years ago. This, paired with the slow camera zooms, slowly torments the viewer into focusing on one thing and wondering what will happen to the single subject. 3 Wikipedia. Authenticity is better achieved when the viewer feels like he/she is part of the action; so what better way to do so than to take the place of the cameraman? Question: Many of the scenes are shot in corridors. The steadi-cam is used almost exclusively throughout the narrative of the film. We’ve all been to hotels and motels, and there’s something intrinsically creepy about being in a place with so much unknown history. For example, when Danny is approaching room 327, the unsettling music becomes louder and louder. Manipulation of camera angles creates a spatial dimension which is strange to the (usually adult) viewers (i.e. With the disturbing and gory images, the incredibly scary music brings the audience into an extreme malevolent horror. The scene lifts us out of our distant vantage point and puts us directly into the state of urgency experienced by the characters. the rotting women, the elevator of blood, etc). The shots in each act could have been recorded at the same time by multiple cameras. The Shining (The Shining #1), Stephen King The Shining is a horror novel by American author Stephen King. In order to translate the atmosphere achieved in Kubrick’s The Shining into a live theatrical production, several changes would need to be made. Feel free to include internet reference links in your answers. The high and low camera angles, found respectively in objective and point of view shots in The Shining generally serve to diminish the size of the viewer, or the character in the movie which the audience is emotionally drawn to. Wanting to consummate her attraction, she had Daedalus build her a wooden cow; as a result, the Minotaur was born. The only way, of course, for Danny and his power to remain at the Overlook forever was for Danny to die there. This point we are totally submerged in the hotel banality again instills a realism between where the supports... Possible to use highly stylized sets ( i.e impacted the manipulation of the day of the great things the... Otherwise the consequences can be scourging, haunted resort hotel located in the Colorado.! 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